Special Report

The Worst Original Amazon Prime Movies

Since 2015, Amazon Studios has produced and/or distributed more than 100 films. Among its distinguished films are “Manchester by the Sea,” which won the first two Academy Awards for Amazon; “Sound of Metal,” which also took home two; and “One Night in Miami,” nominated for three Oscars. But the streaming service has had its share of swings and misses. (On the plus side, here are the best Amazon Prime original movies in the company’s history.)

To determine the worst Amazon Prime original movies, 24/7 Tempo developed an index using average ratings on IMDb, an online movie database owned by Amazon, and a combination of audience scores and Tomatometer scores on Rotten Tomatoes, an online movie and TV review aggregator, as of September 2022, weighting all ratings equally. Documentaries were not considered. Directorial and cast data are from IMDb. (Amazon defines “original” not only as films Amazon Studios produces but also those produced elsewhere that it acquired and distributes to theaters and for Amazon Prime Video.)

What is noteworthy about this list is the wide disparity between their Rotten Tomatoes critics and audience scores. For six movies here, there is a difference of more than 30 percentage points between the two. The widest gulf is for “Life Itself” (2018), where 83% of the audience liked the film and only 13% of critics gave it a thumbs-up. The latter score is the lowest of any film on the list for either critics or audiences.

Click here to see the worst original Amazon Prime movies

Woody Allen fans might be sad to see two of his films make the list – “Café Society” (2016) and “Wonder Wheel (2017). The feeling among some critics is that these later films from Allen lack the depth and completeness of his earlier works and sense that he is in decline as a director. (He’s one of the 25 great directors with the most box office bombs.)

Courtesy of Sony Pictures Worldwide Acquisitions

25. Elvis & Nixon (2016)
> IMDb user rating: 6.4/10 (13,661 votes)
> Rotten Tomatoes audience score: 57% (6,038 votes)
> Rotten Tomatoes Tomatometer score: 76% (156 reviews)
> Directed by: Liza Johnson

Based on a true story, “Elvis & Nixon” is about a meeting between rock ‘n’ roll’s king and the nation’s 37th president in 1970. Each man had his own agenda about the meeting: Elvis (Michael Shannon) wanted to volunteer to fight the war on drugs and Nixon (Kevin Spacey) thought associating with Elvis would help his prospects among the nation’s youth. Rotten Tomatoes critics consensus said the film is “rarely less than engaging thanks to its talented starring duo” – but Rendy Jones of Rendy Reviews cited its “awkward silliness,” and Richard von Busack of the Pacific Sun noted that the film’s details “seem to be discursive-padding to overlook the lack of source material.”

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Courtesy of Lionsgate

24. Café Society (2016)
> IMDb user rating: 6.6/10 (74,122 votes)
> Rotten Tomatoes audience score: 56% (13,799 votes)
> Rotten Tomatoes Tomatometer score: 71% (255 reviews)
> Directed by: Woody Allen

Café Society” is one of two misfires for Woody Allen on the list. Jesse Eisenberg plays a young man who leaves the Bronx for the glitz of Hollywood and falls in love with a woman already involved in an illicit affair. The late-career comedy from Allen was dismissed by critics such as Wenlei Ma of News.com.au, who called it “mostly froth with little substance.”

Courtesy of Amazon Studios

23. The Tomorrow War (2021)
> IMDb user rating: 6.5/10 (203,649 votes)
> Rotten Tomatoes audience score: 76% (5,000 votes)
> Rotten Tomatoes Tomatometer score: 52% (207 reviews)
> Directed by: Chris McKay

The time-travel film features Chris Pratt as a high school teacher recruited by time travelers from 30 years in the future to fight aliens in a global war that humans are losing. Daniel Howat of Next Best Picture found the movie lacking, calling it “a serviceable action film…but the weak script keeps the movie firmly in mediocre territory.”

Courtesy of Amazon Studios

22. Chemical Hearts (2020)
> IMDb user rating: 6.3/10 (10,799 votes)
> Rotten Tomatoes audience score: 69% (308 votes)
> Rotten Tomatoes Tomatometer score: 59% (91 reviews)
> Directed by: Richard Tanne

“Chemical Hearts” is a teen romance drama about a young man who meets a girl with a disability who has transferred to his high school and is haunted by previous events. Ed Potton of The Times (UK) said the movie didn’t hit the mark, saying “while the travails of adolescence never really change, surely we can find new ways of exploring them.”

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Courtesy of Amazon Studios

21. I’m Your Woman (2020)
> IMDb user rating: 6.2/10 (7,927 votes)
> Rotten Tomatoes audience score: 49% (332 votes)
> Rotten Tomatoes Tomatometer score: 80% (151 reviews)
> Directed by: Julia Hart

The 1970s-era “I’m Your Woman” is about a woman (Rachel Brosnahan) forced to go on the run with her baby after her husband has betrayed his partners. Robert Levin of Newsday liked Brosnahan’s performance and the homage to 1970s moviemaking, but bemoaned the fact that “it’s still not compelling or dramatic enough to hold your interest consistently.”

Courtesy of Lionsgate

20. Chi-Raq (2015)
> IMDb user rating: 5.8/10 (9,755 votes)
> Rotten Tomatoes audience score: 49% (8,213 votes)
> Rotten Tomatoes Tomatometer score: 82% (150 reviews)
> Directed by: Spike Lee

Spike Lee’s crime comedy, the first movie Amazon Studios co-produced, is about the girlfriend (Teyonah Parris) of a Chicago gang leader (Nick Cannon) who has an interesting solution to stopping the violence – convincing other girlfriends of thugs to abstain from sex. Nigel Andrews of Financial Times said the movie was “a mess. But it makes an impression. ‘Chi-Raq’ has the force of topical-art inevitability. If it didn’t exist, you feel, someone would have had to invent it.”

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Courtesy of Amazon Studios

19. Wonderstruck (2017)
> IMDb user rating: 6.2/10 (10,003 votes)
> Rotten Tomatoes audience score: 55% (3,134 votes)
> Rotten Tomatoes Tomatometer score: 68% (226 reviews)
> Directed by: Todd Haynes

Ben (Oakes Fegley) and Rose (Millicent Simmonds) are children from eras 50 years apart who embark on different quests: Ben longs for the father he’s never known, and Rose dreams of meeting an actress who’s both her idol and her mother. Circumstances bring the two together in Ben’s time in the 1970s. Deborah Ross of The Spectator felt “the plot is so reliant on coincidences and contrivances you’ll want to throw stuff at the screen.”

Courtesy of IFC Films

18. Wiener-Dog (2016)
> IMDb user rating: 5.9/10 (9,895 votes)
> Rotten Tomatoes audience score: 41% (3,461 votes)
> Rotten Tomatoes Tomatometer score: 74% (117 reviews)
> Directed by: Todd Solondz

Director Todd Solondz is known for mining black comedy (“Welcome to the Dollhouse”) and “Wiener-Dog” is part of his catalog. The movie is about a dachshund owned by offbeat characters played by Greta Gerwig, Danny DeVito, and Ellen Burstyn. Tim Robey of the Daily Telegraph (UK) said “Solondz’ notorious misanthropy…remains fully in force.

Courtesy of Broad Green Pictures

17. The Neon Demon (2016)
> IMDb user rating: 6.2/10 (89,308 votes)
> Rotten Tomatoes audience score: 51% (9,180 votes)
> Rotten Tomatoes Tomatometer score: 59% (259 reviews)
> Directed by: Nicolas Winding Refn

In this film, Elle Fanning plays a teen who moves to Los Angeles to be a model. Her fresh-faced look draws the ire of other models and the teen develops a thick skin and a fierce sense of self-preservation as she takes the fashion world by storm. Rotten Tomatoes critics consensus said “‘The Neon Demon’ is seductively stylish, but Nicolas Winding Refn’s assured eye can’t quite compensate for an underdeveloped plot and thinly written characters.”

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Courtesy of Amazon Studios

16. The Wall (2017)
> IMDb user rating: 6.2/10 (25,742 votes)
> Rotten Tomatoes audience score: 42% (6,595 votes)
> Rotten Tomatoes Tomatometer score: 65% (125 reviews)
> Directed by: Doug Liman

“The Wall” is a war story that takes place in Iraq, where two U.S. soldiers are ambushed and wounded and must rely on their training to avoid a sniper. While Peter Bradshaw of the Guardian called the movie an “eerie, menacing film,” Kate Rodger of Newshub (New Zealand) said it was “too one-dimensional and not nearly compelling enough for the big screen.”

Courtesy of Amazon Studios

15. Life Itself (2018)
> IMDb user rating: 6.9/10 (19,587 votes)
> Rotten Tomatoes audience score: 83% (1,477 votes)
> Rotten Tomatoes Tomatometer score: 13% (153 reviews)
> Directed by: Dan Fogelman

There’s a huge gap between audience and critics scores on “Life Itself,” with audiences giving the film a score of 83%, while critics dismissed it as “mawkish,” and awarded it a score of 13%. Directed by Dan Fogelman, the creator of the television series “This Is Us,” “Life Itself” follows the lives of a New York City couple who meet in college, get married, start a family, and have an unexpected, profound encounter with people from Spain. M.N. Miller of Ready Steady Cut said the movie is “is too self-indulgent, sappy, and overly sentimental for its own good.”

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Courtesy of Warner Bros.

14. The Goldfinch (2019)
> IMDb user rating: 6.4/10 (19,860 votes)
> Rotten Tomatoes audience score: 72% (1,404 votes)
> Rotten Tomatoes Tomatometer score: 25% (225 reviews)
> Directed by: John Crowley

After his mother is killed in a bombing at the Metropolitan Museum of Art in New York, a boy steals a painting titled “The Goldfinch” and gets pulled into a criminal world. A strong cast anchored by Oakes Fegley, Ansel Elgort, and Nicole Kidman helped the movie achieve a 72% Rotten Tomatoes audience score. Critics didn’t share the enthusiasm for the film based on Donna Tartt’s Pulitzer Prize-winning novel. “Now, in Hollywood’s hands, the story of a broken young boy coming to terms with the death of his mother is painfully one note, and sort of pointless,” said Douglas Greenwood of NME.

Leon Bennett / Stringer / Getty Images Entertainment

13. Master (2022)
> IMDb user rating: 5.2/10 (4,882 votes)
> Rotten Tomatoes audience score: 36% (100 votes)
> Rotten Tomatoes Tomatometer score: 74% (152 reviews)
> Directed by: Mariama Diallo

One of two films on the list that came out this year is “Master,” a social commentary on how people of color are accepted as students and administrators at a New England university, with a dose of gothic horror thrown in. Viewers might be reminded of Jordan Peele’s thriller “Get Out.” There were no shivers for Odie Henderson of RogerEbert.com, who said the movie “is not even remotely scary, and its story and lore are confusing and underdeveloped.”

Courtesy of Amazon Prime Video

12. Nocturne (2020)
> IMDb user rating: 5.7/10 (7,128 votes)
> Rotten Tomatoes audience score: 33% (110 votes)
> Rotten Tomatoes Tomatometer score: 62% (58 reviews)
> Directed by: Zu Quirke

Zu Quirke wrote as well as directed this horror film about a pianist who makes a Faustian pact to overtake her older sister at a highly regarded music institution. Similarly stylish like “Black Swan,” Devika Girish of the New York Times said the “contrivances of ‘Nocturne’ are par for the course in this genre, but ‘Nocturne’ lacks the stylistic flair to make them fun.”

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Courtesy of Amazon Studios

11. The Only Living Boy in New York (2017)
> IMDb user rating: 6.4/10 (13,210 votes)
> Rotten Tomatoes audience score: 52% (1,679 votes)
> Rotten Tomatoes Tomatometer score: 33% (91 reviews)
> Directed by: Marc Webb

“The Only Living Boy in New York” is a romance-drama starring Kate Beckinsale, Pierce Brosnan, and Jeff Bridges about a young man who finds out his father is having an affair with a younger woman. In his attempt to break up the relationship, he ends up sleeping with her himself. Critics found the film “The Only Living Boy in New York” “narratively messy and cloying [and] is a romantic trifle that audiences won’t want to give a second date.”

Courtesy of Amazon Studios

10. My Spy (2020)
> IMDb user rating: 6.4/10 (27,375 votes)
> Rotten Tomatoes audience score: 37% (1,277 votes)
> Rotten Tomatoes Tomatometer score: 48% (122 reviews)
> Directed by: Peter Segal

When 9-year-old Sophie discovers a seasoned CIA operative is spying on her family, she agrees not to blow his cover if he shows her the art of spycraft. The comedy-action flick didn’t win over Nick Levine of NME, who said “even at its most entertaining, this film never really gets you to suspend your disbelief and invest in its characters.”

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Courtesy of GEM Entertainment

9. Zoe (2018)
> IMDb user rating: 6.1/10 (8,356 votes)
> Rotten Tomatoes audience score: 55% (164 votes)
> Rotten Tomatoes Tomatometer score: 32% (25 reviews)
> Directed by: Drake Doremus

“Zoe” is a sci-fi/rom-com starring Léa Seydoux and Ewan McGregor as scientists researching the probability of compatibility between synthetic humans. Christian Holub of Entertainment Weekly remarked that “This is a movie that casts Christina Aguilera as a robot and yet still manages to be boring.”

Courtesy of Amazon Studios

8. Seberg (2019)
> IMDb user rating: 5.8/10 (7,176 votes)
> Rotten Tomatoes audience score: 51% (290 votes)
> Rotten Tomatoes Tomatometer score: 36% (134 reviews)
> Directed by: Benedict Andrews

“Seberg” is a biopic of the American actress and French New Wave cinema star Jean Seberg (“Breathless”), played by Kristen Stewart, who was intensely surveilled by the FBI because of her support for the American civil rights movement in the 1960s and her romantic involvement with a member of the Black Panthers. Richard Roeper of the Chicago Sun-Times said “Kristen Stewart does fierce work as the radicalized ’60s actress, but the biopic too often wanders elsewhere.”

Courtesy of Amazon Studios

7. Without Remorse (2021)
> IMDb user rating: 5.8/10 (57,959 votes)
> Rotten Tomatoes audience score: 38% (1,000 votes)
> Rotten Tomatoes Tomatometer score: 45% (193 reviews)
> Directed by: Stefano Sollima

In this film based on a Tom Clancy novel, Michael B. Jordan is a highly skilled Navy SEAL who seeks vengeance for the death of his wife, only to discover a broader conspiracy. Rotten Tomatoes critics consensus said “despite a commanding performance from Michael B. Jordan, ‘Without Remorse’ fails to escape its outdated patriotic tropes.”

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Courtesy of STX Entertainment

6. Gringo (2018)
> IMDb user rating: 6.1/10 (28,741 votes)
> Rotten Tomatoes audience score: 38% (1,172 votes)
> Rotten Tomatoes Tomatometer score: 40% (134 reviews)
> Directed by: Nash Edgerton

In this comedy, David Oyelowo (“Selma”) plays an American businessman sent to Mexico by his company to deliver a formula for a cannabis pill, but who gets mixed up with black ops mercenaries and drug cartels. A strong cast that included Charlize Theron, Joel Edgerton, and Amanda Seyfried was not enough to sway some critics on Rotten Tomatoes. Brian Eggert of Deep Focus Review said “double-crosses and twists saturate the material, leaving ‘Gringo’ with a modest degree of unpredictability that keeps the viewer guessing, albeit with few moments of levity or any genuine investment in the characters.”

Courtesy of Amazon Studios

5. Coming 2 America (2021)
> IMDb user rating: 5.3/10 (62,114 votes)
> Rotten Tomatoes audience score: 38% (2,859 votes)
> Rotten Tomatoes Tomatometer score: 49% (244 reviews)
> Directed by: Craig Brewer

Eddie Murray reprises a role from one of his early film triumphs as the African king Akeem, who comes to America in search of his son and his heir. The massive cast includes Arsenio Hall, Leslie Jones, Tracy Morgan, John Amos, and James Earl Jones. Sara Stewart of Book & Film Globe bemoaned the sequel, coming 33 years after the original, saying “as a relic of 1980s comedy, ‘Coming to America’ holds up better than most… And so it’s with a heavy heart that I report that the sequel, ‘Coming 2 America,’ is deeply, embarrassingly bad.”

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Courtesy of Bir Film

4. Wonder Wheel (2017)
> IMDb user rating: 6.2/10 (27,340 votes)
> Rotten Tomatoes audience score: 42% (1,702 votes)
> Rotten Tomatoes Tomatometer score: 31% (202 reviews)
> Directed by: Woody Allen

Woody Allen’s look at how the lives of four people intersect on Coney Island in the 1950s featured Justin Timberlake, Kate Winslet, and “Sopranos” alumni Steve Schirripa and Tony Sirico. Wonder Wheel was the name of the ride at the amusement park. Michael Sragow of Film Comment Magazine said “the plot and the structure undercut the affection Allen has for his salt-of-the-seaside characters. The writer-director falls in love with a tidy narrative arc that ends up more like a vicious circle.”

Courtesy of IFC Films

3. Complete Unknown (2016)
> IMDb user rating: 5.4/10 (6,018 votes)
> Rotten Tomatoes audience score: 24% (969 votes)
> Rotten Tomatoes Tomatometer score: 51% (76 reviews)
> Directed by: Joshua Marston

Academy Award winners Rachel Weisz and Kathy Bates appear in this thriller about a woman who constantly changes identities and the effects she has on her old boyfriend and and his wife, who are weighing a move to California. Christopher Orr of The Atlantic said “in its latter half the film… gradually runs out of ideas, and out of steam.”

Courtesy of Amazon Studios

2. Goodnight Mommy (2022)
> IMDb user rating: 5.6/10 (6,967 votes)
> Rotten Tomatoes audience score: 33% (100 votes)
> Rotten Tomatoes Tomatometer score: 38% (60 reviews)
> Directed by: Matt Sobel

“Goodnight Mommy” is a remake of an Austrian film of the same name. It’s a creepy thriller about twins who come to their mother’s house after she’s had plastic surgery, but her behavior – strict rules, areas off limits, and her tearing up drawings they made for her – suggests the person underneath the gauze is someone else. Tom Meek at Cambridge Day felt the remake paled in comparison to the original. “Matt Sobel’s remake of a 2014 psychological thriller…about twin boys questioning the identity of their mother, can’t fully recreate the icy chill.”

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Courtesy of Amazon Studios

1. Bliss (2021)
> IMDb user rating: 5.4/10 (15,351 votes)
> Rotten Tomatoes audience score: 45% (427 votes)
> Rotten Tomatoes Tomatometer score: 28% (101 reviews)
> Directed by: Mike Cahill

Mike Cahill wrote and directed this story of a recently divorced jobless man (Owen Wilson) who encounters a mysterious woman (Salma Hayek) who challenges his idea of reality. James Berardinelli of ReelViews opined “with its blend of existential science fiction and character-based romance, it would seem to be as close to a can’t-miss premise as one can imagine yet, despite that, it somehow does miss – and by a wide margin.”

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