Clint Eastwood Has Trouble with the Weekend

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By Trey Thoelcke Published
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The movie industry suffered through another bad weekend. Experts often have argued that people go to theaters less because of DVDs and streaming download services. Those assumptions could be tested now as attendance dwindles. Or, alternatively, perhaps the films currently in theaters are bad or have no broad appeal. The Los Angeles Times reports:

Two of young Hollywood’s biggest stars beat out a grizzled industry veteran at the box office this weekend — but just barely.

Jake Gyllenhaal’s cop drama “End of Watch” and Jennifer Lawrence’s horror vehicle “House at the End of the Street” tied for the No. 1 weekend position, each grossing a decent $13 million.

Clint Eastwood’s baseball drama, “Trouble With the Curve,” didn’t hit a home run with opening weekend audiences, as the movie debuted with a slightly lower sum of $12.7 million.

Based on analysts expectations, all of these movies posted numbers that were lower than expected.

Douglas A. McIntyre

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About the Author Trey Thoelcke →

Trey has been an editor and author at 24/7 Wall St. for more than a decade, where he has published thousands of articles analyzing corporate earnings, dividend stocks, short interest, insider buying, private equity, and market trends. His comprehensive coverage spans the full spectrum of financial markets, from blue-chip stalwarts to emerging growth companies.

Beyond 24/7 Wall St., Trey has created and edited financial content for Benzinga and AOL's BloggingStocks, contributing additional hundreds of articles to the investment community. He previously oversaw the 24/7 Climate Insights site, managing editorial operations and content strategy, and currently oversees and creates content for My Investing News.

Trey's editorial expertise extends across multiple publishing environments. He served as production editor at Dearborn Financial Publishing and development editor at Kaplan, where he helped shape financial education materials. Earlier in his career, he worked as a writer-producer at SVE. His freelance editing portfolio includes work for prestigious clients such as Sage Publications, Rand McNally, the Institute for Supply Management, the American Library Association, Eggplant Literary Productions, and Spiegel.

Outside of financial journalism, Trey writes fiction and has been an active member of the writing community for years, overseeing a long-running critique group and moderating workshop sessions at regional conventions. He lives with his family in an old house in the Midwest.

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