Apple: Steve Jobs Still Carries a Large Stick

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By Douglas A. McIntyre Updated Published
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By Ryan Barnes of 24/7 Wall St.

Not that he was one to ever speak softly, but Jobs’ calling for the major record labels to offer their content “DRM-free” (no Digital Rights Management software) surprised many of us by actually producing fruit this morning.  EMI, the #3 label worldwide, today announced that their complete library would be available on Apple’s (AAPL) iTunes program DRM-free, beginning in May. 

This is a huge departure from the general stance of the RIAA, which has been to laugh in the face of Jobs’ request.  We discussed the likelihood of this scenario back in February when Job’s first called for DRM-free music to be offered on iTunes, and frankly we didn’t think the odds were good.

The general feeling has been that if users can buy songs without any portability restrictions in place, sales would drop precipitously as we snapped back to the early days of Napster when digital music was a free-for-all experiment in social networking. 

EMI actually plans to sell the DRM-free songs for a 30% premium, so they will be priced at $1.29 on iTunes rather than the standard $.99; EMI will, however, keep a version of their library as-is (with DRM) available for $.99 concurrently. 

Again, while this is a surprise, it doesn’t represent a capitulation by the recording industry.  We all have to accept that we’re still in the experimental stages of new types of business models.  There will be iterations, some good, some massive failures, before the optimal way to do business is found. 

The fact that EMI has been working with iTunes for a while should make this a good test case, and you can bet that every other label will be watching EMI’s sales figures like their own wallets for the next few quarters.  Apple could find itself with a nice margin boost if the DRM-free format’s sales start off (and remain) solid. 

If anything, this morning’s news is a sign of one thing – Apple (and Jobs) is still the undeniable 800 lb. gorilla in digital music.  Microsoft and others, you have a long way to go before being able to impart your will on the industry. 

Ryan Barnes

April 2, 2007

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About the Author Douglas A. McIntyre →

Douglas A. McIntyre is the co-founder, chief executive officer and editor in chief of 24/7 Wall St. and 24/7 Tempo. He has held these jobs since 2006.

McIntyre has written thousands of articles for 24/7 Wall St. He is an expert on corporate finance, the automotive industry, media companies and international finance. He has edited articles on national demographics, sports, personal income and travel.

His work has been quoted or mentioned in The New York Times, The Wall Street Journal, Los Angeles Times, The Washington Post, NBC News, Time, The New Yorker, HuffPost USA Today, Business Insider, Yahoo, AOL, MarketWatch, The Atlantic, Bloomberg, New York Post, Chicago Tribune, Forbes, The Guardian and many other major publications. McIntyre has been a guest on CNBC, the BBC and television and radio stations across the country.

A magna cum laude graduate of Harvard College, McIntyre also was president of The Harvard Advocate. Founded in 1866, the Advocate is the oldest college publication in the United States.

TheStreet.com, Comps.com and Edgar Online are some of the public companies for which McIntyre served on the board of directors. He was a Vicinity Corporation board member when the company was sold to Microsoft in 2002. He served on the audit committees of some of these companies.

McIntyre has been the CEO of FutureSource, a provider of trading terminals and news to commodities and futures traders. He was president of Switchboard, the online phone directory company. He served as chairman and CEO of On2 Technologies, the video compression company that provided video compression software for Adobe’s Flash. Google bought On2 in 2009.

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